Another ACEO I painted last weekend. I think I’m finally starting to get the hang of painting on these canvas sheets. Practice, practice, practice.
Like I said in my Monday progress post, I didn’t get much painting done last week, but I did enough to do a 10″x8″ study painting. Read the rest of this entry »
While I was going back through my sketchbooks looking for an egg picture I drew some time ago, I started thinking that it’s been awhile since I showed a sketchbook page. I never did find the egg I was looking for (though I did find several others which I’d completely forgotten about – talk about a surprise).
I’ll share some of my egg sketches later. This page, however, I wanted to post. I found a lot of horses in my journal. I can’t say I’m surprised that I have a lot of horses, but I just didn’t remember drawing so many. I know I have a habit of drawing Steigan, the main character from my Sacred Knight series, but I obviously have been feeling a need to draw horses so I can draw the unicorns in the series when I finally get there.
Here’s the full page:
Below is a closeup of the upper section of the page. I don’t know what inspired the drawing, but I do enjoy it.
It was fun going through the sketchbooks, even though I was flipping through pages quickly looking for an egg. Not only does it show how much I’ve grown, but also how I’ve developed as an artist. It’s silly, but when I started with my sketches, I would only draw on one side of the page — the right hand side. And I left a lot of white space around each drawing. Then, I started paying attention to the sketchbooks of other artists and saw how interwoven a lot of drawings were. I began to fill up the pages more. Then I saw an artist who was drawing on both front and back sides of each page in their sketchbooks. You can see from the top picture that this is actually the back side of the previous page as its on the left. I’ve even added some things I’ve cut out from junk mail or advertisements. I like to find phrases within junk mail and figure out how to make something new out of it. That’s the writer part of my, I’m sure. The sketchbook that had this page in it is stuffed to the brim with all sorts of goodies. I have little taped flaps, phrases, thoughts, ideas, journaling about what I’m thinking on a certain day, life sketches, folded pictures I thought were interesting. It’s fun to look back at all these treasures.
Yet, I couldn’t let it delay me right now. I would be too easy to go through every picture and waste all evening in nostalgia. So I kept my visit short and sweet.
But in flipping through them all, I found it interesting that I had needed permission to open up. I started off all closed up, tight, keeping things separated. But as I saw what more and more artists were doing, I loosened up and started to let things flow more and more. It seemed like a track that I needed to walk. It was a good reminder to keep trusting the process with the art in my life too.
A couple ACEO’s that I finished.
I can’t say that I like working on this canvas material. I have a whole bunch of it from when I first started painting. I figured I’d try to use it up. I just can’t say that I’m a fan. I much prefer Bristol Board to paint the ACEO’s on. Lesson learned I guess.
Or maybe it just means that I need to get better.
Could be both.
This is the painting that I referred to in my Monday blog.
I’m still amazed that it came out this well.
8″x10″ acrylic on canvas
I never imagined myself being able to say the “She sells sea shells down by the sea shore” tongue twister very well. I always preferred “Rubber baby buggie bumpers” myself. I’ve even started to make up a few of my own: “Ghastly green goblins gagging on ghosts,” “Saint Steigan’s sword standing,” and “The only girl in the world for Arlyn.”
So what’s the point of all this?
I’ve been busy recording The Three Books as an audiobook. I’d love to say that I was nearly done, especially since I’ve now recorded the book three times (a prophecy in the title maybe?) and partially gotten through it I don’t know how many times but at least two more. I thought I had a good recording when I was done with it the second time through, then I discovered this wretched hum over the top of the vocals and trying to get rid of it just mangled the audio. I never imagined that I’d learn so much about audio engineering.
It was supposed to be simple: record the audio, edit it to clean out bad phrases to make it follow the book, and upload it.
Now I’ve never been one for perfection, but cleaning up mouth clicks is a booger. Sometimes I think I push it too far. I’m learning to let go. Let’s just say that I’m to a point now that I can step in my booth, say my tongue twisters, and record a chapter without any hesitation. Editing cleanup work later is the part I’m starting to dread. It takes so long.
Okay, enough of my complaining. I really just wanted to let you know that I’m still working on the audiobook and that it is coming along, just not as fast as I would hope. If I could just keep my tongue from getting all twisted and making all sorts of weird sounds. You just don’t notice them until you attune yourself to them. I recently bought some Thayer’s Dry Mouth Spray. I haven’t yet listened to any of the chapters I’ve done with the spray, but I hope it helps. The dry mouth spray came as a recommendation from Eric Stuart at Anime Oasis. I’m so glad he took the time to answer my question as well as to hear about my silly little project. When you’re doing everything right but still having issues, it’s time to get additional help. Now I dread having a recording so good and so clear in those last few chapters that I decide to go re-record the earlier ones before the throat spray. How many times through would that make?
Yeah, recording an audiobook when you’re not a profession is not an easy thing to do. It takes time, patience, research, and perseverance. I feel like the universe keeps asking me, “How badly do you want this?” Badly! I want to be able to do it myself too, because once I have my small backlist done, I want to be able to keep up, preferably on a daily basis. That thought alone probably qualifies me as insane. Here’s to hoping.
If I don’t lose my mind on this first book.