Progression paintings for the new 18″x24″ acrylic painting I’ve been working on.
I wanted a bright autumn tree against a dark sky showing signs of winter coming. Here’s the first layer:
The dark clouds in the sky felt way too dark. I tried repeatedly to get it to lighten up. You can see some of the background mountain and trees here too.
You can see the dark clouds lightened up quite a bit here and I’ve added the trunks for the trees I want to be in the mid-ground, Also working on the trees, brush, and ground on the left side of the painting.
I finally decided I had to quit tinkering with the dark background clouds and get to work on my main tree. I’ve put it in and a tree on the left a little closer in the foreground. Built up this grassy knoll on the left side too. I really didn’t know if I liked it or not, but why should the land be flat. I decided to let it be and see what developed with it. The fun is in the exploring, right?
The final painting. I pushed in more weeds around the grassy knoll, which did remain, but I discarded the second tree stump closest to the right side of the canvas. It just didn’t look good, especially when I started the younglings along the left side of the remaining tree.
I love how the road divides this, making it look like fall has taken a deep hold on the right side along with the incoming storm while the right side sees fall coming, but is holding out the last breaths of summer. Hmm, I wonder if that’s a good title for this painting. That, as of right now, hasn’t been decided.
I’m thinking about framing this up, but I haven’t gotten that far yet. It’ll have to wait until I get home from Wizarding Dayz.
Speaking of which, I should probably go continue getting ready for the show. I hope you enjoyed taking a look at the progression of this painting.
I know, you want to know why you have to give a big congratulatory whoop. Here it is: I finished my read-though edits of Tangled Magic last week and got it to my reader. She, in turn, sent me back my story Alexander’s Den. Now I just have to edit up those corrections.
Books I ordered to restock my supply for Wizarding Dayz come in. I’ll be heading to Sandy, Utah, for that later this week. I hope the weather is good for driving there and back, as well as for my son who is coming home from Pocatello to help me with the show.
I finished the 18″x24″ painting I’ve been working on the last couple of weeks. I hope to have more on that later in the week — planning on doing the progression painting photos on the blog. We’ll see if I get there or if I’m too busy getting ready for the show.
Also spent some time in my booth getting audio recorded since I won’t be doing any for a couple of weeks.
Daily word goal reached for 191 days! Weekly word goal reached for 30 weeks.
Writing month to date total: 14,938 words
Writing year to date total: 40,102 words
Drawing/painting last week: As I said above, I finished my 18″x24″ acrylic landscape painting. I posted a photo of it online and it seems like people are enjoying it.
Audio: I spent 2 hours editing and recording audio. It was very slow because as I was merging in the dialogue for a chapter, I kept discovering missing lines. I tried to go onto another chapter, but I wasn’t ready for that any other chapter later on down the line either. So, I had to wait until I could find time to get back to it. But now I should be good again, so I can get back to work on that. It did give me some time to, oh, sleep and work on the edits for Tangled Magic. I think that’s the reason I got through the edits. I guess that’s one of the good things about doing multiple things.
I’ve been binge watching Stargate Universe, again. It’s strange. I’ve even had a few people point it out to me; I write fantasy fiction, but I love watching sci-fi. I wonder why that is.
Usually I watch television while I’m doing something else. Like right now I’ve got Stargate Universe on and I’m working on this blog post. However, I’ve had large chunks of time this last week when I realized that I was watching the show and not doing anything else. Then I panic and have to get words done. The only way that happens is by me turning on Pandora and listening to music.
But I needed some time to veg out. It gave me some creative space.
So I thought I was going to have a book cover reveal this week. Yep, that’s not happening, Life has blown this week out of the water. I’m counting myself fortunate enough to be doing this post, thought it’ll probably be short unless I find myself with something suddenly to say or rattling on like this sentence is. Yeah, I go off like that sometimes. *grin*
I thought I’d show you one of the paintings I finished last week. I do wish I had more work in progress pictures of it, but I wasn’t certain about this painting. It probably really hit rock bottom when I had just started it and my youngest son walked by and said, “So, Mom, what’s up with the eclipse and the alligator.”
Eclipse and alligator? Well he wasn’t wrong. Here’s sort of what he was seeing:
You see the “eclipse” at the top of the painting and the alligator at the bottom left. I do believe this is actually after he had made his comment and I had started a second coat, getting rid of the alligator’s open jaws so much. You can still see the two parts sticking out that originally made it’s mouth. Yep, can’t get much worse from there.
I wish I’d remembered to take a picture of the first layer when I started, but I really did feel like I’d messed it up right from the get-go. Then the eclipse and alligator really made me question it. But I had this burr that I really wanted to work with, to try this, to see what would happen. So I continued. That’s when I ended up with the picture above, and then this.
This is after a few more layers and some stars added. I was tempted to go with the angel look here, but I decided to hold to the idea I really wanted.
More layers, added so black back to it, and more stars. This is the finished piece.
I really want to do this, or something like this, on a larger canvas. I am having so much fun with these space nebulae. I’m learning something new with each one. It’s definitely been an interesting journey. I never thought I’d be creating these as beautiful as they are. My first attempts at nebulae were so awful. I’m glad the urge to continue attempting to paint these never abandoned me.
There are some weeks when I am just tired. Last week was one of them.
In trying to reboot my painting, I have several decisions to make. That lead me, of course, to research to find tools that will help me and that, obviously, leads me to testing several different tools to see which one(s) I like.
What frustrates me is that I had a tool I liked. It had years of data in it. I did want to clean it up some, maybe divide the database. But because of changes in technology, the program doesn’t work quite right any more. The company that developed it still has a website that for the last two years has asked for patience while they update their systems — they want to move to a cloud platform. However, I’m not sure they are serious about that any longer. I have exported the artwork data from the program, but it’s not easy to import without a lot of cleanup, mapping fields, and making it fit a new program.
With that experience, I don’t want to start something else that could potentially disappear or become obsolete. Which makes me think about paper files — good until a fire, or flood, etc.
So, it makes me leery to pull the trigger on anything. I don’t want something I will just end up rebuilding in seven to ten years. I realize that technology changes and that we have to have forward movement, but it seems like everything always needs constant updating and when a business no longer wishes to continue, they just close up. No one wants to build for a legacy, only for the current moment (and dollar, though I’ve read that the average lifespan of a solid business is about 30 years). It makes me tired.
After my last show of 2018, my son was helping me pack up the car. He was carrying 2 paintings out when he slipped on a patch of ice. In catching himself, he dropped both paintings. He, fortunately, didn’t hit the cement or hurt himself. But when he reached down to pick the paintings up, he saw that one of the paintings had gone through the other.
“Please be the waterfall,” he thought to himself. “PLEASE be the waterfall!” He knew that of the two, I would be less angry about the waterfall painting getting destroyed rather than the lotus painting.
It was the lotus painting.
He told me when we got home and we were unpacking the important things that couldn’t stay out in the cold and snow,. I could tell he felt badly about it; this wasn’t the first painting he’d put a hole in. I’m sure it won’t be the last. (Okay, the boy has even put a hole in my trailer wall — why he has to break everything, I don’t know!) Yes, actually, I do: he’s a boy. *grin*
The tear in the canvas was a clean 90 degree square. It wasn’t huge. It could have been worse. I figured this would repair fairly easily.
It took more patience than I thought it would.
I took a piece of muslin and some gesso, covering the back side of the canvas around the hole, and pressed it flat. Gesso squeezed up between the tear. I then covered the patch on the back with gesso, making it nice, smooth, and strong.
This is a picture of the gesso coming through the tear to the front.
In retrospect, I should have filled in the whole crack while it was wet. I think it would have been easier to fix the scar if I had. But, I didn’t know. I’ve only repaired one other canvas before so I felt I was still working on bare minimum knowledge in practice. I had learned a lot from that first painting and I knew I’d learn even more with this one. That I should have filled and leveled the whole thing then is valuable information I will take to the next tear should (when) this happen(s) again.
This was my first attempt at covering it up. I started out with some blue, then brought in some white. Like I said, I didn’t have a whole lot of patience and I thought this would be a fairly easy process at this point. As I layered up paint, I saw that I was going to have to do this in layers and it might require some light sanding in between coats.
Here’s what it looked like when I really started filling in the scar.
It seemed like I spent a lot of time alternating blue and white. It took a lot of coats to fill in the scar. Yes, I did some sanding too, very carefully around the edges. I didn’t want to take paint off of the scar where I was trying to fill in, only on the canvas so that it would retain some of the tooth.
I started thinking that I might want some pictures of the canvas that weren’t closeups. So here’s the picture from above as it is on the canvas. It looks big here, but this shot isn’t the whole painting.
Finally I start to get a good fill on the tear. It’s still visible, but just barely.
And here’s what the canvas looks like at this point:
Can you even see it? The second lotus petal from the bottom points right at it. Great, I’ll never lose the tear again now that’ I’ve noticed that!
Still building up layers:
At this point, I’m also bringing more clouds in around the vines at the bottom. They always bugged me with how they seemed to stick out. It looked like a lotus blossom superimposed over clouds, rather that actually being part of the sky. This is me fixing that because at this point, what do I have to lose?
Well, at least as far done as I have pictures for. I did add another couple of touch-ups last weekend while I was painting, a few highlights here and there.
If you look closely at this painting from the side, or get up close to the canvas where the tear it, you can still traces of it. I don’t think it would ever completely go away. Besides, the big white spot on the back is a sign that something catastrophic happened. Overall, I think I did a good job repairing this canvas. It’ll continue going with me to art shows until someone decides that they want it hanging on their wall.
Sometimes, you just have to heal the best you can and move on with your life. You can’t always hide all the scars perfectly.